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Landscaper Andrew Kolff has fallen under a spell after working
on Lord of the Rings. His job of creating a 600 year old landscape
has left him enchanted, finds Mary Lovell Smith.
7.30am: Mid winter. It's dark. The sun won't rise over the mountains
for another hour and a half. The temperature is minus 14deg. The
workers of Rohan pull their jackets more tightly around them, a
futile gesture in face of the gale swirling up from the deep south.
Wind chill factor? No one bothers even estimating it. What's the
point? There is a job to be done, and who knows the consequences
should they fail.
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His fingers, numb with cold, fumble around the hefty
stone he is placing in the rock wall. Andrew Kolff has left his wife
and young son asleep in their snug Methven cottage, to drive for nearly
two hours through some of the most rugged terrain he has encountered
in his 32 years. It will be another 12 hours till he will see them
again.
The snow on the tops of the craggy mountains surrounding him are
washed in pink. The sun is coming. He sniffs the air deeply and
detects a whiff of the hearty breakfast bacon and eggs? sausages
and beans? the chef is preparing in the prefabricated canteen.
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Around him the town of Edoras is rising slowly hut surely through
the rocky plateau of Mount Sunday at the head of the Rangitata River
in Mid Canterbury. Above the scrape of his shovel on the frozen
ground he can hear muffled hammers, shouts, and footfalls as the
small army of construction workers go about their business.
It's a far cry from the gentle suburbs of Christchurch where Andrew's
landscaping and construction business is based. Eight months as
caretaker and greensman on the Lord of the Rings set at Mount Potts
station is turning upside down all he has learnt in training at
Lincoln University and 10 years in practice.
"Landscaping in town you are making someone's
garden look very tidy, neat, ornamental, usually with a lot of straight
lines," he explains. "But with this we were trying to make everything look as
if it was 600 years old. You didn't want any straight lines. You
wanted things falling down. Like the rock walls had rocks missing.
Wed be putting soil in between the walls' rocks so grass could
grow out cracks and hang over the edges."
'It was not that difficult to achieve," he says. He was also
taught how to make the wooden and stone buildings, houses,
and paths look ancient. Unfortunately, the stringent secrecy agreement
he had with the filmmakers will not let him divulge any tips to
the media. Suffice it to say, It was fascinating". |